It’s nearly the start of in situ:’s new course! Here, Artistic Director Richard Spaul talks about what we are offering this autumn. Richard, why a course on The Voice?A person’s voice is one of the Read more…
It’s been a while! In March 2020 in situ: courses closed as we went into lockdown, and it will be a full eighteen months until our face-to-face public courses resume again in October 2021. But Read more…
In January 2020, in situ: offers a new eight-week course focussing on an aspect of theatre technique or on a specific play. This term, that play is The Master Builder by Henrik Ibsen and the Read more…
Having completed our successful summer productions, in situ:’s next offering is an eight-week autumn course on The Theatre of Henrik Ibsen. This is the initial term of our usual three-term project structure, to which participants Read more…
Saki - "...a uniquely talented writer; profoundly haunting, ambiguous, powerful stories; writing of extraordinary economy and clarity."
Aeschylus’s Oresteia is the sole surviving trilogy of Ancient Greek plays and yet it is rarely performed in its entirety. In this brief interview clip, Richard Spaul tells how in situ:’s production has taken four Read more…
As we count down to the opening of in situ:’s The Oresteia Trilogy at St. Andrew’s Hall, Richard Spaul spoke with Leigh Chambers of Cambridge105 about the production and in situ:’s work.
A record-breaking year for in situ: From love stories to Greek Tragedy, in situ: brings its unique approach to a range of subjects in non-theatre performance spaces with more productions in 2014 than ever before.. Read more…