“‘Mad’ Hamlet runs verbal riot and starts killing people. Mad Ophelia, horrifically exploited by the political elite, including her father, and very possibly a victim of rape, sings some pretty songs, hands out flowers and Read more…
The first week of July brings the performance of in situ:’s summer production, Julius Caesar Project. In this article, director Richard Spaul explains the motivation, the aim and the process underpinning the work. Richard, let’s Read more…
Review By Silvano Squizzato The version of Hamlet by in situ: is a unique one-man show, such an unusual, compelling, gripping performance that the audience yesterday froze in silence for several moments after it was Read more…
We round off our summer productions with Shakespeare’s Hamlet – but as never before. In Richard Spaul’s hands, the classic play becomes a one-man performance, as he singlehandedly takes us, through the political machinations and Read more…
Be Absolute For Death review by Jane Staggs: Be Absolute for Death, In Situ’s latest offering, is a seriously reworked, promenade version of Measure for Measure. This is an exciting production, an immensely theatrical Read more…
Be Absolute for Death, our final production of the summer season, centres around the main plot arc of Shakespeare’s Measure for Measure – Angelo’s attempt to persuade Isabella to bargain her own virginity for her Read more…
In January 2017 we launch The Measure for Measure Project, another in our series of one-term courses centred around Shakespeare’s work. Participants on the course then have the opportunity to continue to performance in summer Read more…
“Being an actor”. The phrase summons up all kinds of images. Laurence Olivier declaiming the Bard. Jobbing actors unpacking their weekly suitcases in provincial repertory. Grinning West End performers taking their thirteenth curtain call. And Read more…