As the autumn term begins, in situ: offers a new course exploring the topic of Tragedy in Performance. Here, in situ: director and course tutor Richard Spaul explains what inspired the new course and what Read more…
Be Absolute For Death review by Jane Staggs: Be Absolute for Death, In Situ’s latest offering, is a seriously reworked, promenade version of Measure for Measure. This is an exciting production, an immensely theatrical Read more…
Be Absolute for Death, our final production of the summer season, centres around the main plot arc of Shakespeare’s Measure for Measure – Angelo’s attempt to persuade Isabella to bargain her own virginity for her Read more…
By Chris Carson: Having read Three Sisters I was looking forward to seeing how insitu: would tackle it. More than impressed, I found myself immersed in an experience that was both powerful and moving. A Read more…
By Francesco Dimitri: On a miserable winter night I travelled all the way from my cosy home in Greenwich to an old chapel in Cambridge to listen to Richard Spaul tell ghost stories. It turned Read more…
In June this summer, in situ: brings to Cambridge Anton Chekhov’s Three Sisters. Director Richard Spaul speaks about his motivations in presenting it – and about the very particular performance approach he has used. Why Read more…
This summer, director Richard Spaul brings a pair of one-man shows on spectral themes to the atmospheric setting of the Leper Chapel. Tales of Mystery and Imagination contains two of the stories from Edgar Allan Read more…
In late summer 2016 in situ: held its usual week-long residential course, using landscape – natural and manmade – as the inspiration for experimental art and theatre. However this year, for the first time, we Read more…
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